The Wolf Of Wall Street Trailer In The Wolf Of Wall Street, DiCaprio plays Belfort, a stockbroker, has served 20 months in prison for defrauding investors in a securities program in 1990 which involved major corruption rampant in the Wall street and in the world of corporate banking, including Steve Madden.
The middle-class, Queens-raised Belfort tried and failed to establish himself on Wall Street in a more traditional way—we see his tutelage in the late '80s at a blue chip firm, under the wing of a grinning sleazeball played by Matthew McConaughey—but got laid off in the market crash of 1987. He reinvented himself on Long Island by taking over a penny stock boiler room and giving it an old money name, Stratton Oakmont, to gain the confidence of middle- and working-class investors. Per Wikipedia, at its peak, 'the firm employed over 1000 stock brokers and was involved in stock issues totaling more than $1 billion, including an equity raising for footwear company Steve Madden Ltd.' Belfort and his company specialized in 'pump and dump' operations: artificially blowing up the value of a nearly worthless stock, then selling it at a big profit, after which point the value drops and the investors lose their money. Belfort was indicted in 1998 for money laundering and securities fraud, spent nearly two years in federal prison and was ordered to pay back $110 million to investors he'd deceived.
Taking its cues from gangster pictures, 'Wolf' shows how Belfort rose from humble origins, becoming rich and notorious (the title comes from an unflattering magazine profile that caught the attention of federal prosecutors). This Robin Hood-in-reverse builds himself a team of merry men drawn from various sundry corners of his life. All have both given names and Damon Runyon-esque nicknames: Robbie Feinberg, aka 'Pinhead' (Brian Sacca), Alden Kupferberg, aka 'Sea Otter' (Henry Zebrowski), the dreadfully-toupeed 'Rugrat' Nicky Koskoff (P.J. Byrne), 'The Depraved Chinaman' Chester Ming (Kenneth Choi), and Brad Bodnick (Jon Bernthal), a DeNiro-esque neighborhood hothead who's known as the Quaalude King of Bayside. His office enforcer is his volcanic dad (Rob Reiner), who screams about expenditures and workplace sleaze, but often seems to live vicariously through the trading floor's young wolves.
Belfort's right hand man Donnie Azoff (Jonah Hill) is perhaps even more conscienceless than Belfort: a hefty wiseass with gleaming choppers who quits his job at a diner after one conversation with the hero, joins his scheme, helps him launder money, and introduces him to crack—as if Belfort didn't have enough intoxicants in his system, on top of the adrenaline he generates by making deals and bedding every halfway attractive woman who crosses his path. As McConaughey's character tells Belfort early on, this subset of investing is so scummy that drugs are mandatory: 'How the f— else would you do this job?' At one point a broker declares that they're doing all that coke and all those Quaaludes and guzzling all that booze 'in order to stimulate our freethinking ideas.'
Belfort is married when the tale begins, to a good and respectable woman who doesn't approve of his financial shenanigans or chronic infidelity, but he soon throws her over for a blond and curvy trophy named Naomi LaPaglia (Australian actress Margot Robbie), then marries her and starts supporting her in the style to which they've both become accustomed. After a few years, Belfort is living in a mansion that another DiCaprio character, Jay Gatsby, might find gaudy, and buying a yacht, and helicoptering to and from meetings and parties while drugged out of his mind. Then a federal prosecutor named Patrick Denham (Kyle Chandler) enters the picture, sweating Belfort by confronting him on his own turf (including Belfort's yacht) and letting him brag on his own awesomeness until he hangs himself.
Imagine the last thirty minutes of 'GoodFellas' stretched out to three hours. That's the pace of this movie, and the feel of it. It's one damned thing after another: stock fraud and money laundering; trips to and from Switzerland to deposit cash in banks (and give the increasingly wasted Belfort a chance to flirt with his wife's British aunt, played by 'Absolutely Fabulous' costar Joanna Lumley); rock-and-pop driven montages with ostentatious film speed shifts (including a slow-motion Quaalude binge); and some daringly protracted and seemingly half-improvised dialogue scenes that feel like tiny one-act plays. The best of these is McConaughey's only long scene as Belfort's mentor Mark Hanna, who at one point thumps a drum pattern on his chest while rumble-singing a la Bobby McFerrin; this eventually becomes the anthem of Belfort's firm, and it's weirdly right, as it suggests a tribal war song for barbarians on permanent rampage.
As is often the case in Scorsese's films, 'Wolf' gives alpha male posturing the attraction-repulsion treatment, serving up the drugging and whoring and getting-over as both spectacle and cautionary tale. In his most exuberant performance since 'Titanic,' DiCaprio plays Belfort as a pipsqueak Mussolini of the trading floor, a swaggering jock who pumps his guys up by calling them 'killers' and 'warriors' and attracts hungry, self-destructive women, partly via brashness and baby-faced good looks, but mostly by flashing green. The film lacks the mild distancing that Scorsese brought to 'GoodFellas' and 'Casino.' The former contrasted Henry Hill's matter-of-fact narration with occasionally shocked reactions to bloodshed; 'Casino' adopted a Stanley Kubrick-like chilly detachment, as if everyone involved were narrating from a cloud in Heaven or a pit in Hell. 'Wolf' is in the thick of things at all times, to suffocating effect, depriving the viewer of moral anchors.
This is not the same thing as saying that the film is amoral, though. It's not. It's disgusted by this story and these people and finds them grotesque, often filming them from distorted angles or in static wide shots that make them seem like well-dressed animals in lushly decorated terrariums.
You can tell how much Belfort cares about his people by the way his narration segues from an anecdote about a broker who fell into a spiral of misery and shame: 'He got depressed and killed himself three years later,' Belfort says over a photo of a corpse in a bathtub trailing blood from slit wrists. Then, without missing a beat, he says, 'Anyway...' The brokers classify prostitutes by cost and attractiveness, referring to them as 'blue chips, 'NASDAQs' and 'pink sheets' (or 'skanks'); they're warm-blooded receptacles to be screwed and sent on their way, much like the firm's clients, including shoe mogul Steve Madden, whose deal Belfort describes as an oral rape. The directorial high point is a Belfort-Azoff Quaalude binge that spirals into comic madness, with Azoff blubbering and freaking out and stuffing his face and collapsing, and Belfort suffering paralysis during a panicked phone call about his money and then crawling towards his car like a nearly-roadkilled animal, one agonizing inch at a time.
These images of censure and humiliation—and there are a lot of them, including a gif-worthy moment of Belfort paying a prostitute to stick a lit candle in his bum—coexist with moments that get off on the men's howling and profit-making and chest-thumping. We're supposed to figure out how we feel about the mix of modes, and accept that if there were no appeal whatsoever to this kind of behavior, no one would indulge in it. This isn't wishy-washy. It's honest.
Scorsese and Winter never lose track of the bigger picture. In theory, the movie's subject is the Wall Street mentality, which is just a clean-scrubbed version of the gangster mentality showcased in Scorsese's 'Mean Streets,' 'GoodFellas' and 'Casino' (one could make a case that guys like Belfort are the ones who pushed the Vegas mob out of Vegas). 'Wolf' starts with a Fellini-like party on the floor of Belfort's firm, then freeze-frames on Belfort tossing a dwarf at a huge velcro target, literally and figuratively abusing the Little Guy. The traders get away with their abuse because most people don't see themselves as little guys, but as little guys who might some day become the big guy doing the tossing. 'Socialism never took root in America,' John Steinbeck wrote, 'because the poor see themselves not as an exploited proletariat but as temporarily embarrassed millionaires.” Belfort chides the prosecutor Denham for living what Henry Hill would have called the goody-two-shoes life, and in a scene near the end, as Denham rides the subway home, we can see that the taunt stuck in his craw. Everyone at Belfort's firm seems to have the same title: 'senior vice-president.' Everybody wants to rule the world.
But the film's vision goes beyond cultural anthropology and antihero worship. When people ask me what the film is about, I tell them that like a good many films by Scorsese—who overcame a cocaine problem in the early '80s—at its root, it's about addiction: a disease or condition that seizes hold of one's emotions and imagination, and makes it hard to picture any life but the one you're already in. Many people get a contact high from following the exploits of entrepreneurs, financiers, bankers, CEO and the like, and when such men (they're nearly always men) get busted for skirting or breaking laws, they root for them as if they were disreputable folk heroes, gangsters with fountain pens instead of guns—guys who, for all their selfishness and cruelty, are above the petty rules that constrict the rest of us. Such men are addicts, egged on by a cheering section of little guys who fantasize of being big. We enable them by reveling in their exploits or not paying close enough attention to their misdeeds, much less demanding reform of the laws they bend or ignore—laws that might have teeth if we hadn't allowed guys like Belfort (and his far more powerful role models) to legally bribe the United States legislative branch via the nonsensical 'system' of campaign financing. After a certain number of decades, we should ask if the nonstop enabling of addicts like Belfort doesn't mean that, in some sense, their enablers are addicted, too—that they (we) are part of a perpetual-motion wheel that just keeps turning and turning. In the end 'Wolf' is not so much about one addict as it is about America's addiction to capitalist excess and the 'He who dies with the most toys wins' mindset, which has proved as durable as the image of the snarling gangster taking what he likes when he feels like taking it.
Scorsese and Winter aren't shy about drawing connections between Belfort's crew and the thugs in Scorsese's mob pictures. Those mob films are addiction stories, too. 'Wolf of Wall Street' showcases Belfort Henry Hill-style, as if he were an addict touring the wreckage of his life in order to confess and seek forgiveness; but like a lot of addicts, as Belfort recounts the disasters he narrowly escaped, the lies he told and the lives he ruined, you can feel the buzz in his voice and the adrenaline burning in his veins. You can tell he misses his old life of big deals and money laundering and decadent parties, just as Hill missed busting heads, jacking trucks, and doing enough cocaine to make Scarface's head explode.
There will be a few points during 'Wolf' when you think, 'These people are revolting, why am I tolerating this, much less getting a vicarious thrill from it?' At those moments, think about what the 'it' refers to. It's not just these characters, and this setting, and this particular story. It's the world we live in. Men like Belfort represent us, even as they're robbing us blind. They're America, and on some level we must be OK with them representing America, otherwise we would have seen reforms in the late '80s or '90s or '00s that made it harder for men like Belfort to amass a fortune, or that at least quickly detected and harshly punished their sins. Belfort was never punished on a level befitting the magnitude of pain he inflicted. According to federal prosecutors, he failed to abide by the terms of his 2003 restitution agreement. He's a motivational speaker now, and if you read interviews with him, or his memoir, it's obvious that he's not really sorry about anything but getting caught. We laugh at the movie, but guys like Belfort will never stop laughing at us.
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Running time 180 minutes Country United States Language English Budget $100 million Box office $392 million The Wolf of Wall Street is a 2013 American film directed by and written by, based on the. It recounts Belfort's perspective on his career as a stockbroker in and how his firm engaged in rampant corruption and fraud on that ultimately led to his downfall. (who was also a producer) stars as Belfort, with as his business partner and friend Donnie Azoff, as his wife Naomi Lapaglia and as Patrick Denham, the agent who tries to bring him down., and also star. The film marks the, after (2002), (2004), (2006) and (2010), as well as his second collaboration with Winter after the television series (2010–14). The Wolf of Wall Street premiered in New York City on December 17, 2013, and was released in the United States on December 25, 2013, distributed. The film was the first to be released entirely through. It was a major commercial success, grossing more than $392 million worldwide during its original theatrical run to become Scorsese's highest-grossing film and the 17th-highest-grossing film of 2013.
The film was controversial for its morally ambiguous depiction of events, explicit sexual content, extreme profanity, depiction of hard drug use and the during production. The film also caused controversy due to accusations that it was financed by illegally obtained funds from (1MDB). The film received mostly positive reviews from critics, with praise for Scorsese's direction, the comedic performance of DiCaprio and the fast-paced and consistent humor.
The film was including five nominations at the:, and, as well as and nominations for DiCaprio and Hill, respectively. The film did not win in any category, although DiCaprio did win at the, where the film was also nominated for. It was also recognized by numerous other awards ceremonies, as well as guilds and critics' associations. as. as Donnie Azoff. as Naomi Lapaglia. as Patrick Denham.
as Max Belfort. as Brad Bodnick.
as Mark Hanna. as Manny Riskin. as Jean-Jacques Saurel. as Aunt Emma. as Teresa Petrillo.
as Leah Belfort. as Captain Ted Beecham. as Chantalle Bodnick.
as Nicky Koskoff. as Chester Ming. as Robbie Feinberg.
as Alden Kupferberg. as Toby Welch. as. as Hildy Azoff. as himself. as Auckland Straight Line Host Additionally, frequent Scorsese collaborator appears as Lucas Solomon, and appears as Rochelle, a federal agent. Plays a young stock broker who is fired by Donnie.
Appears as a judge. Has an uncredited role as Dwayne, a penny stock trader. Production. Leonardo DiCaprio attending the film's London premiere in January 2014 Development In 2007, / won a bidding war against / for the rights to Jordan Belfort's memoir The Wolf of Wall Street, and Martin Scorsese was considered to direct the film. During pre-production, Scorsese worked on the film's script before working on.
He describes having 'wasted five months of his life' without getting a on production dates by the Warner Bros. Jordan Belfort made $1 million on the movie rights. In 2010, Warner Bros. Had offered to direct the film, with Leonardo DiCaprio playing the male lead, but the studio eventually dumped the project. In 2012, a green light was given by the allowing no restrictions to the content development. Scorsese knew that there were no limits to the content that he would produce and therefore came back on board, resulting in an. Red Granite Pictures also asked to distribute the film; agreed to distribute the film in North America and Japan, but passed on the rest of the international market.
The FBI has issued subpoenas to several past and present employees of Red Granite Pictures in regards to allegations that US$155 million was diverted from the Malaysian wealth fund to help finance The Wolf of Wall Street. This relates to the.
A civil lawsuit initiated by the U.S. Department of Justice has sought to claim 'any rights to profits, royalties and distribution proceeds' from The Wolf of Wall Street. To settle the civil lawsuit, Red Granite Pictures has agreed to pay US$60 million to the U.S.
In the film, most of the real-life characters' names have been changed from Belfort's original memoir. Donnie Azoff is based on.
The name was changed after Porush threatened to sue the filmmakers. Porush maintains that much of the film was fictional and that Donnie Azoff was not in fact an accurate depiction of him. The FBI agent known as Patrick Denham is the stand-in for real-life Gregory Coleman, and lawyer Manny Riskin is based on. Belfort's first wife Denise Lombardo is renamed Teresa Petrillo, while second wife Nadine Caridi became Naomi Lapaglia on-screen. In contrast, Mark Hanna's name remains the same as the LF Rothschild stockbroker who, like Belfort, was convicted of fraud and served time in prison. Belfort's parents Max and Leah Belfort's names remained the same for the film.
The role of Aunt Emma was initially offered to, who refused it as she was recovering from an ankle injury, and she was replaced. In January 2014, revealed in an interview with that he made only $60,000 on the film (the lowest possible rate for his amount of work), while his co-star Leonardo DiCaprio (who also produced) received $10 million. Hill didn't care about his settlement though, and wanted to play Donnie Azoff so badly that he was willing to do whatever it took to get the part as it was his dream to be in a Scorsese film. Filming began on August 8, 2012, in New York.
Announced that his first day of shooting was September 4, 2012. Filming also took place in. In January 2013, additional scenes were shot at a set built in an abandoned office building in. Scenes at the beach house were filmed in. Scorsese's longtime editor stated that the film would be shot instead of on. Scorsese had been a proponent of shooting on film but decided to shoot digitally because it was being photographed in; however, The Wolf of Wall Street was originally planned to be shot digitally despite being filmed in 2D. Schoonmaker expressed her disappointment with the decision: 'It would appear that we've lost the.
I think Marty just feels it's unfortunately over, and there's been no bigger champion of film than him.' After extensive comparison tests during pre-production, eventually the majority of the film was shot on film stock while scenes that used effects or low light were shot with the digital. The film contains 400–450 shots. Use of animals The Wolf of Wall Street uses animals including a chimpanzee, a lion, a snake, a fish, and dogs.
The chimpanzee and the lion were provided by the Big Cat Habitat wildlife sanctuary in. The four-year-old chimpanzee Chance spent time with actor Leonardo DiCaprio and learned to roller skate over the course of three weeks. The sanctuary also provided a lion named Handsome because the film's trading company used a lion for its symbol., 's real-life partner, denied that there were any animals in the office, although he admitted to eating an employee's goldfish. In December 2013, before the film's premiere, the organization criticized the use of the chimpanzee and organized a boycott of the film.
Reported, 'Friends of Animals thinks the chimp. Suffered irreversible psychological damage after being forced to act.'
Said, 'Criticism of The Wolf of Wall Street's use of a chimpanzee arrives as Hollywood comes under ever-increasing scrutiny for its employment of animals on screen,' referring to a November 2013 report in that was critical of the 's treatment of animals in films. Also launched a campaign to highlight mistreatment of ape 'actors' and to petition for DiCaprio not to work with great apes. And in Paris at the film's French premiere, December 2013. The Wolf of Wall Street premiered at the in New York City on December 17, 2013, followed by a wide release on December 25, 2013.
It was previously slated to be released on November 15, 2013, but the date was pushed back after film cuts were made to reduce the run time. On October 22, 2013, it was reported that the film was set for a Christmas 2013 release. Paramount officially confirmed the Christmas Day 2013 release date on October 29, 2013, with a running time of 165 minutes.
On November 25, 2013, the length was announced to be 179 minutes. It was officially rated R for 'sequences of strong sexual content, graphic nudity, drug use and language throughout, and for some violence'.
Scorsese had to edit sexual content and nudity to avoid an rating. By different counts, the film contains between 506 and 569 uses of the word 'fuck', and currently holds the record for the. The film is banned in, and because of its scenes depicting sex, drugs and excessive use of swear words, and additional scenes have been cut in the versions playing in. In, after cuts were made to an orgy scene as well as some religiously profane or denigrating language, the film was passed R21. The film marks a change in film history when Paramount became the first major studio to distribute movies to theaters in digital format, eliminating 35mm film entirely. Was the last Paramount production to include a version, while The Wolf of Wall Street was the first major movie distributed entirely digitally. Box office The Wolf of Wall Street grossed $116.9 million in North America and $275.1 million internationally, for a total gross of $392 million, making it Scorsese's highest-grossing film worldwide.
In North America, the film opened at number five in its first weekend, with $18.4 million in 3,387 theaters, behind,. In Australia, it is the highest grossing R-rated film, earning $12.96 million.
File sharing According to tracking site Excipio, the film was the most illegally downloaded film of 2014, as it was shared over 30 million times via torrent sites. Home media The Wolf of Wall Street was released on and on March 25, 2014. On January 27, 2014, it was revealed that a four-hour would be attached to the home release. It was later revealed by and that the home release would feature only the theatrical release.
Reception Critical response The Wolf of Wall Street received positive reviews, with critics praising DiCaprio and Hill's performances, Scorsese's direction, and Winter's screenplay. On, the film holds an approval rating of 78% based on 267 reviews, with an average rating of 7.8/10. The site's critical consensus reads, 'Funny, self-referential, and irreverent to a fault, The Wolf of Wall Street finds Martin Scorsese and Leonardo DiCaprio at their most infectiously dynamic.' On, the film has a weighted average score of 75 out of 100, based on 47 critics, indicating 'generally favorable reviews'. Of magazine named The Wolf of Wall Street as the third best film of 2013, behind and at numbers one and two, respectively. The movie was chosen as one of the top ten films of the year by the. Of the said 'it is the best and most enjoyable American film to be released this year.'
's gave the film a 'B+' score, saying the film was 'good, not great Scorsese'., a member of the, wrote that the movie did not work for her after labeling the film 'Epic in size, claustrophobically narrow in scope.' According to Marshall Fine of the story 'wants us to be interested in characters who are dull people to start with, made duller by their delusions of being interesting because they are high'. Some critics viewed the movie as an irresponsible glorification rather than a satirical takedown.
DiCaprio responded that in his opinion the film does not glorify the excessive lifestyle it depicts. In 2016, the film was ranked #78 on the list.
In June 2017, of named The Wolf of Wall Street as the 2nd best film of the 21st century so far, behind 's (2001). Top ten lists. The Wolf of Wall Street was listed on many critics' top ten lists. Various artists Released December 17, 2013 ( 2013-12-17) (Digital download) Length 56: 30 The soundtrack to The Wolf of Wall Street features both original as well as existing music tracks, and was released on December 17, 2013 for digital download. More than sixty songs were used in the film, but only sixteen were included on the official soundtrack. Notably, among the exceptions are original compositions.
' Bo Diddley 2:46 15. ' 3:19 Total length: 56:30 See also. References.
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